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Official Website: click here Date Added: March 29, 2007 |
Address:
26 Berkeley ST , Toronto Phone: (800) 819-4981 Fax: (416) 534-6604 |
Nearest Major Intersection: King St & Berkeley St | |
| Reservations Required: N/a Dress Code: N/a |
Mission & Philosophy statement
Théâtre français de Toronto (TfT) is a professional French-language theatre presenting repertoire as well as new work. While appealing to all lovers of French-language theatre, it contributes to the cultural and educational development of Toronto’s francophone community.
Artistic Vision
The artistic vision, resulting from the mission and personal to TfT’s artistic director, guides the company’s choice of artistic material. The artistic vision proposed by Guy Mignault, Artistic Director of TfT, is as follows:
“From comedy to tragedy, from new creations to the greats of the classical and modern repertoire, the reservoir of theatrical works in French from which TfT draws the pieces it presents is vast. An eclectic company, TfT produces and presents theatrical productions from both here and away. Original works occupy an important place in the company’s artistic process: they are a source of collaboration, discovery and reflection. TfT’s artistic choices are driven by the need to tell, surprise and move French theatre enthusiasts, be they children, adolescents or adults.
“Because we believe in the impact that theatre can have on the community and artists, TfT’s programming must support and influence the artistic community and all enthusiasts of French theatre. In addition to presenting Canadian and international repertoire, TfT’s programming and activities must pay special attention in particular to young audiences, permit artists to develop their craft while living in French, encourage the greatest number of creators in Toronto, include original works so the public has a chance to discover new voices, and reinforce within its audiences a feeling of belonging.â€
Our main objectives
Increase the influence of theatre and Francophone culture: we want to continue giving our Francophone and francophile public access to the greatest number of varied theatrical styles and genres from diverse sources.
Diversify artistic experiences: we also want to continue to give our audiences diverse shows with themes reflecting the spirit of our company, and to present the most stimulating theatre possible in Canadian and French-language repertoires.
Engage young audiences: we want to continue to produce plays suitable for different age groups, recognizing that children and adolescents have their own concerns and interests. We apply the same standards of excellence and professionalism to shows meant for young audiences as we do to our adult programming.
Continue producing original works: we strive to play a leading role in creating a corpus of new plays. New plays for general audiences, musical theatre and youth repertoire constitute a cultural wealth to which TfT must continue to contribute.
Continue collaborating with other artistic companies: we want to keep developing long-term partnerships with theatre companies in Ontario and the rest of Canada.
Develop Francophone artists: as many young Francophone actors and designers from different parts of the country have settled in Toronto in recent years, TfT has become a crucible for emerging as well as experienced artists. The company must help them work, grow and earn a living while practising their craft in their own language, to prevent them from leaving Toronto in favour of Montreal or Ottawa.
Raise TfT’s profile: by producing vital, exciting theatre, we want to bring TfT to the forefront of Canada’s theatre scene. We want to be well-known among Francophones and francophiles in Toronto, in Ontario and in the rest of Canada as a company that does great work.
The artists
TfT plays a major role in the development of francophone artists. For the past seven years, many young francophone actors and designers from different parts of the country have settled in Toronto. TfT has become a crucible for emerging as well as experienced artists. TfT gives artists the choice to grow in their craft in French, whether or not this is their first language. It is of the utmost importance to support them as it is essential to prevent francophone artists from leaving Toronto in favour of Montreal or Ottawa.
TfT and young audiences
Our productions for young audiences have one major objective: to introduce theatre to the upcoming generations in order for them to become familiar with it. By demonstrating the sense of joy and care for perfection with which we practise our craft in French, we can instil in young people pleasure and pride in the French language, as well as the pleasure of playing and living in French.
Théâtre français de Toronto has a large young audience. Most of its productions are presented as school matinées. TfT also tours in schools throughout the province with shows written specifically for children. Its creation, Bonjour, Monsieur de La Fontaine, toured for three years, as far as Geraldton and Red Lake, and was seen by approximately 18,000 students. TfT’s new play, Grimm Grimm, by Martin-David Peters and Sébastien Bertrand, toured throughout the province for the third consecutive year in 2005 reaching out to more than 16,500 children.
Since the 2004-2005 season, TfT has presented theatre specifically geared to young audiences. This was possible thanks to the specific support of BMO Financial Group et la Fondation franco-ontarienne. This youth programming has been developed in particular with the contribution of two companies specializing in work for teenagers, Théâtre La Catapulte in Ottawa and Théâtre Le Clou in Montréal.
Each season, TfT also presents Les Zurbains in collaboration with Théâtre Le Clou. It is an original way to bridge the gap that teenagers often have with literature and the arts in general and it reveals how much talent teenagers have when given free rein to write their own stories. Les Zurbains is a year-long process with three components: first, a writing competition in francophone and immersion schools launched in Montreal, Quebec City and Toronto; then, workshops in dramaturgy; and finally, a professional production in French presented in the three cities.
A few facts about TfT
After experiencing an important deficit in 1997 and an unprecedented recovery between 1998 and 2000, TfT completely eliminated a debt of $114,000. It also doubled its income from the private sector. TfT also enrolled in the Ontario Arts Endowment Fund Program in 2002 and was accepted in Creative Trust’s Working Capital Arts Program in December 2003.
TfT currently operates under a budget over $1 million and has recently experienced significant growth, due in part to the trust and faith of the Trillium and Metcalf Foundations. The great artistic and financial success of the 2005-2006 season has also been part of this remarkable growth.
In September 2005, our production Portrait chinois d’une imposteure, by Quebec playwright and TfT’s 2003 author-in-residence, Dominick Parenteau-Lebeuf, was staged in Ottawa for Festival Zones Théâtrales and in Sudbury at Théâtre du Nouvel-Ontario. Both surtitled plays Visites à M. Green and L’Avare were rated NNNN in Now Magazine. Visites à M. Green received the best rating ever from our audience. David Danzon was awarded the year’s Best Artistic Achievement by Eye Weekly for his direction of the TfT production Jeux d’amour et de folie, in Fall 2005. Our co-production of Normand Chaurette’s La Société de Métis last winter received wonderful notices from reviewers in Ottawa and Quebec City, where the show was staged prior to Toronto.
On the financial side, L’Avare broke Le Bourgeois Gentilhomme’s attendance record and is now our most successful show in the last ten years. Surtitled performances in English have proven to be a great outreach tool to attract new theatregoers in the GTA.
TfT is a meeting point for all francophones and francophiles living in the GTA and in southern Ontario, from as far away as Kingston, the Niagara Region, Barrie and London. Our base not only includes Franco-Ontarians but also European and Quebecois, people as well as francophones from Africa, the Middle East and the Caribbean. French is a second language for about a quarter of our audience.
In its 39 years, TfT has presented more than 200 productions. TfT sells about 10,000 tickets every season and has more than 900 subscribers.
LET ME INTRODUCE to you Théâtre français de Toronto. Even though we have been around for 39 years, you may not be familiar with us…
You will be pleased to know that two years ago we started to present performances with ENGLISH SURTITLES, thus giving a chance to some of our subscribers to bring their spouses to the theatre even if they were not comfortable with their French.
The success was so overwhelming that we decided to create a special surtitle subscription.
This unique vibrant Toronto-based company has a sensitivity all its own: Vive la différence! So who said that surtitles were only for opera?
So pardon my French when I say: experience theatre that has a little Je ne sais quoi. Give yourself a rendez-vous and come and enjoy the French twist that we demonstrate in our productions as we communicate our joie de vivre.
After experiencing our French theatre, When someone says «Parlez-vous français?», you might answer «Comme ci, comme ça». And then, looking at your vis à vis in the eye you will say: «C’est la vie, mon ami, c’est la vie!» La vie… at Théâtre français de Toronto. Oh, la la!
Subscribe NOW!
Theatre à la française
Guy Mignault
Artistic Director
Offer Subscription:
starting at only $64.00
(416)534-6604
1-800-819-4981
TfT’s productions are staged at
BERKELEY STREET THEATRE
26 Berkeley Street
(South of Front street,
one street west of Parliament)
Box office: 416.534.6604 • 1 800.819.4981
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March 29, 2007 |
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1 out of 2 people found this review helpful.
To watch comedy French is really good,is a form of educational visual tools to learn French
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